In Zanzibar, color is not decoration but a true language. We wanted to avoid any form of neutrality: every shade is...
There is, in La Corallina Firenze’s new collection Natale in Città, something that goes beyond the object itself, beyond its functional purpose — as if the charger plate, that perfect circle, mirror of an ancient gesture, became a metaphor for light itself, for its dwelling within matter and transforming it into narrative. Six plates, six fragments of a landscape both urban and interior, in which winter is not merely a season but a state of the soul: a suspended time, gilded at the edges,...