In Zanzibar, color is not decoration but a true language. We wanted to avoid any form of neutrality: every shade is...
In Zanzibar, color is not decoration but a true language. We wanted to avoid any form of neutrality: every shade is conceived to be present, recognizable, almost physical. This is a deliberate choice, because color has the power to change the atmosphere of a space instantly. Here, it is not an accompaniment but a statement of expressiveness. As Matisse said, “Color, above all, and perhaps even more than drawing, is a liberation” — and Zanzibar is born precisely from this freedom.