Valentina Talks About the Mare Coralli Lampshade Among the pieces in the La Corallina collection, one lampshade...
The new Asinara collection by La Corallina occupies a very distinctive aesthetic space: one in which Mediterranean...
A conversation with Valentina about La Corallina’s Okinawa Collection There are objects created simply to be...
There are objects that do not merely support light, but prepare it, hold it, almost think it before it happens. The...
Ikat is an ancient technique, and this alone makes it fascinating. The term comes from the Malay mengikat, meaning...
That is exactly the case. Color is never neutral, but in spring this truth becomes evident. It is no longer contained...
With this series of zodiac charger plates, we chose to move away from the most predictable idea of an astrological...
In less than a decade, with La Corallina we have managed to build a clear and recognizable identity, especially in...
In Zanzibar, color is not decoration but a true language. We wanted to avoid any form of neutrality: every shade is...
There is, in La Corallina Firenze’s new collection Natale in Città, something that goes beyond the object itself,...
There was a time, in the heart of the 18th century, when the world suddenly seemed to open up: curious men like the renowned French botanist André Michaux and the naturalist and illustrator Pierre-Joseph Redouté set sail toward the unknown, armed with sketchbooks and watercolors. They were pioneers of science and art, capturing in images what no one in Europe had ever seen before.
