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Posted in: "2026"

  • The shape of Spring
    The shape of Spring

    That is exactly the case. Color is never neutral, but in spring this truth becomes evident. It is no longer contained within form: it passes through it, expands it. The Procida collection, for example, emerges from a very precise intuition: that color can produce a spatial vibration. The contrasts, the luminous backgrounds, the tension between the floral motif and the surface are not conceived to represent a flower, but to convey its energy, its happening. Procida does not describe spring; it...

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  • NEW COLLECTION ZODIAC
    NEW COLLECTION ZODIAC

    With this series of zodiac charger plates, we chose to move away from the most predictable idea of an astrological collection, one based on recognizable emblems and figures, and instead work on a more subtle terrain: the sign not as an image, but as a sensitive structure, an atmosphere, a quality of space.

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  • Interview with Lorenzo Lambardi, Product and Store Manager at La Corallina
    Interview with Lorenzo Lambardi, Product and Store Manager at La Corallina

    In less than a decade, with La Corallina we have managed to build a clear and recognizable identity, especially in the segment of placemats and lampshades, which are still our historic core products. The journey has been gradual but very coherent: we started from a precise vision, from a strong idea of style, and we worked consistently so that this language could become readable, credible and distinctive. Today, alongside our most iconic lines, we are developing new product categories with...

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  • Interview with Valentina on the Concept Behind the Zanzibar Collection
    Interview with Valentina on the Concept Behind the Zanzibar Collection

    In Zanzibar, color is not decoration but a true language. We wanted to avoid any form of neutrality: every shade is conceived to be present, recognizable, almost physical. This is a deliberate choice, because color has the power to change the atmosphere of a space instantly. Here, it is not an accompaniment but a statement of expressiveness. As Matisse said, “Color, above all, and perhaps even more than drawing, is a liberation” — and Zanzibar is born precisely from this freedom.

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