The new Asinara collection by La Corallina occupies a very distinctive aesthetic space: one in which Mediterranean...
A conversation with Valentina about La Corallina’s Okinawa Collection There are objects created simply to be...
There are objects that do not merely support light, but prepare it, hold it, almost think it before it happens. The...
Ikat is an ancient technique, and this alone makes it fascinating. The term comes from the Malay mengikat, meaning...
That is exactly the case. Color is never neutral, but in spring this truth becomes evident. It is no longer contained...
With this series of zodiac charger plates, we chose to move away from the most predictable idea of an astrological...
In less than a decade, with La Corallina we have managed to build a clear and recognizable identity, especially in...
In Zanzibar, color is not decoration but a true language. We wanted to avoid any form of neutrality: every shade is...
There is, in La Corallina Firenze’s new collection Natale in Città, something that goes beyond the object itself,...
In the Las Palmas collection, La Corallina offers a refined reflection on the charger plate as a design object—no...
With this series of zodiac charger plates, we chose to move away from the most predictable idea of an astrological collection, one based on recognizable emblems and figures, and instead work on a more subtle terrain: the sign not as an image, but as a sensitive structure, an atmosphere, a quality of space.
In less than a decade, with La Corallina we have managed to build a clear and recognizable identity, especially in the segment of placemats and lampshades, which are still our historic core products. The journey has been gradual but very coherent: we started from a precise vision, from a strong idea of style, and we worked consistently so that this language could become readable, credible and distinctive. Today, alongside our most iconic lines, we are developing new product categories with...
