That is exactly the case. Color is never neutral, but in spring this truth becomes evident. It is no longer contained within form: it passes through it, expands it. The Procida collection, for example, emerges from a very precise intuition: that color can produce a spatial vibration. The contrasts, the luminous backgrounds, the tension between the floral motif and the surface are not conceived to represent a flower, but to convey its energy, its happening. Procida does not describe spring; it...

With this series of zodiac charger plates, we chose to move away from the most predictable idea of an astrological collection, one based on recognizable emblems and figures, and instead work on a more subtle terrain: the sign not as an image, but as a sensitive structure, an atmosphere, a quality of space.

In less than a decade, with La Corallina we have managed to build a clear and recognizable identity, especially in the segment of placemats and lampshades, which are still our historic core products. The journey has been gradual but very coherent: we started from a precise vision, from a strong idea of style, and we worked consistently so that this language could become readable, credible and distinctive. Today, alongside our most iconic lines, we are developing new product categories with...

In Zanzibar, color is not decoration but a true language. We wanted to avoid any form of neutrality: every shade is conceived to be present, recognizable, almost physical. This is a deliberate choice, because color has the power to change the atmosphere of a space instantly. Here, it is not an accompaniment but a statement of expressiveness. As Matisse said, “Color, above all, and perhaps even more than drawing, is a liberation” — and Zanzibar is born precisely from this freedom.

There is, in La Corallina Firenze’s new collection Natale in Città, something that goes beyond the object itself, beyond its functional purpose — as if the charger plate, that perfect circle, mirror of an ancient gesture, became a metaphor for light itself, for its dwelling within matter and transforming it into narrative. Six plates, six fragments of a landscape both urban and interior, in which winter is not merely a season but a state of the soul: a suspended time, gilded at the edges,...

In the Las Palmas collection, La Corallina offers a refined reflection on the charger plate as a design object—no longer a simple functional accessory, but a surface of expression: a synthesis between exotic aesthetics and contemporary pop rigor.We spoke with Valentina, the brand’s creative director, who revealed how every detail conceals a precise idea of visual and cultural harmony.

With the arrival of September and the first warm shades of the season, we met Valentina, the creative soul behind La Corallina, to talk about new autumn inspirations. At the center of our conversation: floral placemats, adorned with peony motifs and enveloping tones, designed to transform the table into a small autumn garden.

In a workshop just steps away from the center of Florence, among fabrics, trimmings, and metal frames, objects are born every day that tell much more than they seem. They’re called lampshades, but according to Valentina – the creative soul of La Corallina – they seem to have a soul of their own. We met with her to learn what it means today to create light with your hands.

In recent years, the charger plate has transformed from a simple functional accessory into a true image-enhancing tool for restaurants and hotels. We discuss this with Lorenzo Lambardi, Product Manager at La Corallina, an Italian company specializing in high-quality customized charger plates.

There was a time, in the heart of the 18th century, when the world suddenly seemed to open up: curious men like the renowned French botanist André Michaux and the naturalist and illustrator Pierre-Joseph Redouté set sail toward the unknown, armed with sketchbooks and watercolors. They were pioneers of science and art, capturing in images what no one in Europe had ever seen before.