There is, in La Corallina Firenze’s new collection Natale in Città, something that goes beyond the object itself,...
There is, in La Corallina Firenze’s new collection Natale in Città, something that goes beyond the object itself, beyond its functional purpose — as if the charger plate, that perfect circle, mirror of an ancient gesture, became a metaphor for light itself, for its dwelling within matter and transforming it into narrative. Six plates, six fragments of a landscape both urban and interior, in which winter is not merely a season but a state of the soul: a suspended time, gilded at the edges,...